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Feb. 1, 2024In a series of perception and synchronization experiments, we asked people to align clicks and taps to sounds with differing shapes. We found a very robust pattern: slow attacks and long duration produce later and wider (more flexible) beat bins.
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Feb. 1, 2024The TIME and MASHED projects at RITMO hosted the international workshop Muddy Rhythms and Broken Beats focused on experimental grooves in electronic dance music, neo-soul and hip-hop.
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Feb. 1, 2024The project interviewed musicians and producers in five different musical genres in which rhythm is a key aesthetic factor. Results from interviews and analyses of multi-track recordings from the electronic dance music genre were published in Music Theory Spectrum.
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Feb. 1, 2024Drummer Ola ?verby from the band Fieh demonstrates how early and laid-back timing can be accentuated by hitting the cymbal in different ways. ?verby was one of the jazz informants in the project.
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Feb. 1, 2024Scandinavian fiddle music was one musical genre in the comparative design of the TIME project. Here fiddler Anne Hytta performs at the Rhythm Production and Perception Conference in 2021. Hytta was also interviewed as an informant on sound-timing interactions in the fiddle genre.
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Feb. 1, 2024The need for precision at the millisecond level when analyzing microrhythmic events led researcher Olivier Lartillot to develop a new method for estimating the attack region of sounds.
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Feb. 1, 2024Research assistant Martin Torvik Langer?d and professor Ragnhild Br?vig in serious discussion at the yearly "Smalahove" (sheep heads) X-mas dinner.
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Feb. 1, 2024The project also included investigations of the ways in which different sound shapes influence the temporal precision of beat perception. Postdoc Sabine Leske is in charge of this study which also aims to identify the underlying neurophysiological mechanisms using EEG.
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Feb. 1, 2024PhD fellows Gui Schmidt C?mara and Kjell Andreas Oddekalv completed their PhDs as part of the TIME project. Here from Oddekalv's public defence in August 2022.
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