- NB: Tekster merket med * finnes i kompendium.
SKJ?NNLITTERATUR OG ESSAYS
*E.T.A. Hoffmann. “My Cousin’s Corner Window”. The Golden Pot and Other Tales. Overs. Ritchie Robertson. Oxford: Oxford University Press, 2000, s. 377-401.
Honoré de Balzac. Tapte illusjoner. Overs. Birger Huse. Oslo: Aschehoug, 2000. [Tilgjengelig via bokhylla.no]
*Edgar Allan Poe. “The Murders in the Rue Morgue”. Selected Tales: Edgar Allen Poe. London: Penguin Books, 2004, s. 118-153.
*Edgar Allan Poe. “The Man of the Crowd”. Introduction to Poe. Red. E. W. Carlson. Glenview, Ill.: University of Connecticut, 1967, s. 57-64.
Charles Baudelaire. Prosadikt. Overs. Tore Stuberud. Rakkestad : Valdisholm, 1993.
*Charles Baudelaire. “Det moderne livs skj?nnhet”. Kunsten og det moderne liv. Overs. Arne Kjell Haugen. Oslo: Solum, 1988, s. 101-121.
Walter Benjamin. “Barndom i Berlin– rundt 1900”. Enveiskj?ring; Barndom i Berlin– rundt 1900. Overs. Henning Hagerup og Bj?rn Aamodt. Oslo: Aschehoug, 2000, s. 89-177. [Tilgjengelig via bokhylla.no]
*Virginia Woolf. “Street Haunting: A London Adventure”. Selected Essays. Oxford: Oxford University Press, 2008, s. 177-187.
André Breton. Nadja. Overs. Richard Howard. New York: Grove Press, 1994.
*Sophie Calle. “Suite Venetienne”. Double Game, London: Violette Editions, 1999, s. 76-121.
TEORI
Walter Benjamin. The Writer of Modern Life: Essays on Charles Baudelaire. Overs. Howard Eiland [et al.]. Cambridge, Mass: Harvard University Press, 2006, s 30-212.
*Walter Benjamin. “Surrealism: The Last Snapshot of the European Intelligensia”. Selected Writings. Vol. 2, del 1, 1927-1930. Red. Michael W. Jennings [et al]. Cambridge, Mass: Belknap Press, 2005, s. 207- 221.
*Georg Simmel. “The Metropolis and Mental Life”. The Blackwell City Reader. Red. Gary Bridge og Sophie Watson, Chickester: Wiley-Blackwell, 2010, s. 103-110.
Susan Buck-Morss. “The Flaneur, the Sandwichman, and the Whore: The Politics of Loitering”. New German Critique, nr. 39, 1986, s. 99-140. [Tilgjengelig via JSTOR]
*Anne Friedberg. “The Mobilized and Virtual Gaze in Modernity: Fl?neur/Fl?neuse”. Windows Shopping: Cinema and the Postmodern. Berkeley: University of California, 1993, s. 15-40.
*Jaques Rancière. “Mechanical Arts and the Promotion of the Anonymous”. The Politics of Aesthetics, overs. Gabriel Rockhill, London: Continuum, 2004, s. 31-34.
Tom Gunning. ”From the Kaleidoscope to the X-ray: Urban Spectatorship, Poe, Benjamin, and Traffic in Souls (1913)”. Wide Angle, 19.4, 1997, s. 25-61.
<http://www.pitzer.edu/academics/faculty/lerner/wide_angle/19_4/194gunning.htm>. Nedlastet 10.04.2013
*Jonathan Crary. “Modernity and the Problem of the Observer”. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT Press, s. 1-24.
*Raymond Williams. “Metropolitan Perceptions and the Emergence of Modernism”. Modernism/Postmodernism, red Peter Brooke. London: Longman, 1992, s. 82-94.
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